Care of the irrepressible hub of all things neophilic, this ‘resublimation’ of stock market charts in the ‘craggy materiality of the Argentinian mountainscape’, like the overlay of skyline and stock movements in WS Money Never Sleeps, is yet another etiolated allegory of the crisis – long on spatial gloss and short on systemic cognition. As far as such projections and correlations of totality may go, perhaps best to turn back to Eisenstein’s Nevsky, and its melodic organising schema.
